“I was first introduced to Steinway pianos in the studio of my primary piano teacher, Dr. Robert Wynne. From an early age I was drawn to the richness of tone in the Steinway. The bass was dark when needed and powerfully commanding when called upon. The tenor range possessed a singing quality that could simulate the human voice or could issue forth the regal sonority of the horn. The upper end of the instrument was noted for its transparency and opulence.”
John Elliott
“I was first introduced to Steinway pianos in the studio of my primary piano teacher, Dr. Robert Wynne. From an early age I was drawn to the richness of tone in the Steinway. The bass was dark when needed and powerfully commanding when called upon. The tenor range possessed a singing quality that could simulate the human voice or could issue forth the regal sonority of the horn. The upper end of the instrument was noted for its transparency and opulence.”
John Elliott
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